Still has me shivering.. According to the German film historian, Lotte Eisner, stimmung was meant to suggest “the vibrations of the soul” by connecting it to the use of light[13] and, to be precise, was something that applied to everyday objects as well as to human figures. For a better experience, switch to Mobile Version », The Art Gallery of New South Wales is open. I’ve never worked with assistants, work is a solitary thing for me. books to the tip. By continuing to browse, you are agreeing to our use of cookies. Beauty is central to all art forms - from a Mozart piano concerto to a Cy Twombly painting. Fortunately things tend to fall into place. Probably the best way to describe it, is simply that from the earliest age I just drew and painted and made things out of clay and whatever else. And how many far more explicit versions come out of each shoot while kids are spun around like so many lumps of alabaster? Bill Henson is one of Australia’s most notable leading contemporary photographers. Bill Henson’s work is stunning and even though it is controversial at times, there’s no denying he is talented (and Aussie yay!). Locate and study an early work such as. The colours of most of the images have been drained, creating a cold and vulnerable effect; interiors glisten in half-light and the exteriors are dusky in their appearance; typically, the faces and figures of Henson’s subjects emerge from the darkness looking demonic or melancholic. The images of baroque palaces, paintings by old European masters in galleries, and naked junkie children lost in their suffering, when exhibited in the familiar diptych and triptych forms and from floor to ceiling, not only have a powerful emotional impact, they dramatically challenge the viewer’s imagination. He has since exhibited extensively in Australia and internationally, including at the Biennale of Sydney in 1986 and 2000. I tend to be working most of the time. This website uses cookies to improve your experience navigating our site. I think second hand bookshops are the most interesting bookshops anywhere in the world now, whether you’re in New York or London, Paris or Melbourne or Sydney. Thank you for sharing the interview. The selection of works - melancholy, brooding and mysterious as ever - seems quietly defiant. The Paris Opera Project of 1991, which was actually staged in Henson’s studio, was a commissioned series meant to signify the effect of listening to music. The human face as a window to the human soul is something very evident in European art cinema, particularly in the films of lngmar Bergman, Federico Fellini, François Truffaut, as well as Dreyer, to name only a few. In certain photographs Henson has “scratched” and thus distorted the human face in ways reminiscent of American avant-garde filmmakers Kenneth Anger and Stan Brakhage, both of whom created similar textual features to the faces of their subjects in their “trance” films of the 1950s. It feels to me very much as though new work grows out of preceding pictures or preceding bodies of work, and so it’s a continuous evolution really - pictures gradually build up in the studio over months and years and at a certain point there seems to be a critical mass. Study Henson’s. Great interview! (Solo), Bill Henson: Photographs form the Monash City Council Collection, March (Solo), Bill Henson, Recent Works from 1995/96, Roslyn Oxley9 Gallery, April - May (Solo), Bill Henson, Works from The 46th Venice Biennale, Museum and Art Gallery of the Northern Territory, April - May (Solo), Bill Henson, Works from The 46th Venice Biennale, National Gallery of Victoria, May - June (Solo), Bill Henson, Works from The 46th Venice Biennale, Art Gallery of New South Wales, July - September (Solo), Bill Henson, Works from The 46th Venice Biennale, Plimsoll Gallery University of Hobart, October - November (Solo). Renowned photographer Bill Henson talks to musician and festival director Paul Grabowsky about his influences and how he creates his extraordinary images. Bill Henson is one of Australia’s leading contemporary artists. Bill Henson is one of Australia’s most notable leading contemporary photographers. We are observing strict physical distancing and hygiene measures to protect the health of visitors and staff and minimise the spread of COVID-19 (coronavirus). This can be seen in Henson’s 1994/95 (collage) series. See available photographs, and prints and multiples for … The commercial view is always to sort of plan their calendar as it were, and I’m always saying ‘book me in if you like - we’ll see’ because I really can’t work to anyone else’s schedule. [2] Peter Craven, catalogue essay, in Mnemosyne Bill Henson, Salo, Zurich–Berlin–New York, Art Gallery of New South Wales, Sydney, 2005, pp. However there’s more to it than that. (Solo), Bill Henson: Three Decades of Photography, Art Gallery of New South Wales, Sydney and National Gallery of Victoria, Melbourne (Solo), Presence 3: Bill Henson, The Speed Art Museum, Kentucky, USA (Solo), Bill Henson, Tolarno Galleries, Melbourne, Australia (Solo), Auto Fetish: The Mechanics of Desire, curated by Nick Mitzevich, Newcastle Region Art Gallery, Newcastle, New South Wales, Penumbra: Images of Light and Darkness, McClelland Gallery and Sculpture Park, Langwarrin, Victoria, Night Vision, Australian Centre for Photography, Sydney, Written with Darkness, UTS Gallery, University of Technology, Sydney, The Plot Thickens: Narratives in Australian Art, A Heide Museum of Modern Art Travelling Art Exhibition, Melbourne, Satellite cities and tabloid life, MUMA Monash University Museum of Art, Melbourne Presence, Speed Art Museum, Louisville, Kentucky (through to March 2005), 2004 Adelaide Biennial of Australian Art: Contemporary Photo-media, Art Gallery of South Australia, Adelaide, South Australia, Bill Henson, Lux et Nox, book launch, Tolarno Galleries, Melbourne, Australia (Solo), Bill Henson, Lux et Nox, book launch, Roslyn Oxley9 Gallery, Sydney, Australia (Solo), Bill Henson, Centro de Fotografia, University of Salamanca, Spain (Solo), Strangers: The First ICP Triennial of Photography and Video, International Center of Photography, New York, MCA Unpacked II, Museum of Contemporary Art, Sydney, Stellar, Centre of Contemporary Photography Fundraising Auction, Centre of Contemporary Photography, Melbourne, Through their lens, Gosford Regional Gallery, Gosford, Child in Time, Gemeente Museum Helmond, Helmond, The Netherlands, Flagship: Australian Art in the National Gallery of Victoria, 1790 - 2000, The Ian Potter Centre, National Gallery of Victoria, Melbourne, SEX, Karen Lovegrove Gallery, Los Angeles, California, Bill Henson, Tolarno Galleries, Melbourne, Australia (Solo), Fieldwork: Australian Art 1968 - 2002, National Gallery of Victoria, Federation Square, Melbourne (November 2002 to February 2003), Points of View, University of Technology Sydney Art Collection, UTS, Sydney, Sublime: 25 Years of the Wesfarmers Collection of Australian Art, Art Gallery of Western Australia, Perth, Western Australia, 2nd Sight Australian Photography in the National Gallery of Victoria, National Gallery of Victoria, Melbourne, 2002, Dirty Dozen, Roslyn Oxley9 Gallery, Sydney, The First Twenty Years, Roslyn Oxley9 Gallery, Sydney, Nocturne: Images of Night & Darkness from Colonial to Contemporary, 23 April - 16 June, MPRG Mornington Peninsula Regional Gallery, Images of Australian Men: Photographs from the Monash Gallery of Art Collection, A Monash Gallery of Art Travelling Exhibition (Adelaide Festival Centre, Gippsland Art Gallery, Swan Hill Regional Art Gallery, Geelong Art Gallery) 24 May 2002 - 21 Sept. 2003, Other Views: an exhibition from the Griffith University Art Collection, Griffith University, Nathan, Queensland, Bill Henson, Roslyn Oxley9 Gallery, Sydney, Australia, November-December(Solo), Bill Henson, Scalo, Zurich, Switzerland, September - November (Solo), Phiction: lies, illusion and the phantasm in photography, Horsham Regional Art Gallery, Victoria, Australia, December, a person looks at a work of art…, The Michael Buxton Contemporary Art Collection, 24 November 2001- 3 December 2002, Heide Museum of Modern Art, Victoria, Australia, Lightness of Being, Contemporary Photographic Art from Australia, Neuer Berliner Kunstverein, September - October; Museum Scholb Hardenberg, Velbert, November - January; Kunstsammlungen Chemnitz, January - February; Kulturzentrum der Stadt Stuttgart, March - April, Germany, Biennale of Sydney, Museum of Contemporary Art, Sydney, Millennium Exhibition, Los Angeles County Museum of Art Museum, Presumed Innocent, CAPC Musee d'Art contemporain de Bordeaux, France, All Stars 2000, Roslyn Oxley9 Gallery, Sydney, Darkness & light: looking at the landscape, McClelland Gallery; Ballarat Fine Art Gallery; Auckland Art Gallery, New Zealand, Bill Henson, Roslyn Oxley9 Gallery, Sydney, Australia, March (Solo), Bill Henson, Tolarno Galleries, Melbourne, Australia, August (Solo), Bill Henson, Karyn Lovegrove Gallery, Los Angeles, USA, March (Solo), The Promise of Photography: Selections from the DG Bank Collection, P.S.1 Contemporary Art Center, New York, Moral Hallucinations: Channelling Hitchcock, Museum of Contemporary Art, Sydney (1999 - 2000), Ghost in the Shell - Photography and the Human Soul 1850 - 2000, Los Angeles County Museum of Art (1999 - 2000), 13 - Blind Spot Summer Show, Robert Mann Gallery, New York, Bill Henson, Roslyn Oxley9 Gallery, Sydney, Australia, May - June (Solo), Bill Henson, ACP Galerie Peter Schuengel, Salzburg, Austria, January - February (Solo), Bill Henson, Deutscher Fine Art, Melbourne, Australia (Solo), Melbourne International Festival of Arts, Melbourne, Australia, October - November (Solo), Body, Art Gallery of New South Wales, Sydney, Bill Henson, Philip-Lorca DiCorcia, Sarah Jones, Galerie Gebauer, Berlin, Germany, Bill Henson, Banning and Associates, New York, USA, February. Henson’s 1987/88 series of neon-lit and collaged nightscapes of New York City and Los Angeles recycle the metropolises of the classic film noir and immediately signal the neo-noir films of the last three decades. Presented by Anne & Gordon Samstag Museum of Art, University of South Australia in association with … But film noir is more than the mood, tone and style inherited from German Expressionist films of the 1920s, American hard-boiled crime fiction , or French poetic realist cinema. Surely it’s time to start thinking like grownups instead of coming over all gooey like uncle bill’s star-struck teens…there’s heaps of other wonderful artists to drool over, maybe make up your own minds about. Another talismanic image for Henson is that of a deserted nocturnal road leading to a distant horizon. I just wished that K Rudd had been in my class and studied his work and actually understood the beautiful symbolism inherent within!

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